The term “power pop” has been widely overused and misused, but the Singles can positively be deemed poster boys of the idiom.

‘Julee’ captures Dave Cope and the Sass showing respect to their origins, while at the same time flashing their own special identity.

‘Sunday Carvery’ finds Emperor Penguin bingeing on an assortment of musical condiments aimed to satisfy audiences with adventurous appetites.

Sometimes you can judge an album by its title, and that’s the case with British-based Ian M. Bailey’s pretty and pristine ‘Songs To Dream Along To.’

Richard Turgeon’s upcoming six-track ‘Campfire Songs’ EP serves as a winning addition to his ever-increasing discography.

‘Detours and Dead Ends Vol. 1’ finds Caddy taking a break from producing his own stellar songs to reprise some of his favorite tunes from the ’70s and ’80s.

Better known as Paul Starling, Brian Bringelson steps out with an album in the spirit of acts like the Beach Boys, Bread, the Smithereens and Matthew Sweet.

The Sails are quite the rage across the pond, and ‘Bang!: The Sails Best of 2006 to 2020’ provides the reason why.

If you weren’t aware of the copyright date of ‘Diamond Hands,’ you could easily be hoodwinked into thinking it is a long lost George Harrison project.

Quincy has returned with a highly enjoyable set of songs that rank as a sensible extension to the unfulfilled promise of their debut album.