by Tom Johnson Jazz has been in a kind of holding pattern since the mid-1970s, when even Miles Davis declared the genre dead. You May Also Like: Matthew Shipp Trio – Piano Song (2017) Matthew Shipp – Zero (2018) Matthew Shipp – Symbol Systems (1996, 2018 reissue)

by Mark Saleski I’ve written about this before, the mystery of “Why do I like this?” The discussions that are apt to be generated can be enlightening. If you start at the very restrictive end of the scale, there’s the idea that beauty has some sort of objective element, supposedlyRead More

Exploring the wonderful world of wack jazz can be both frustrating and fun. Frustrating because even some of the more influential artists of this genre lack good publicists—through no fault of their own—and fun because when you finally stumble across one of these important figures it’s like you found aRead More