Jon Anderson, of Yes and Anderson Rabin Wakeman: Something Else! Interview
The always-busy Jon Anderson joins Preston Frazier for a Something Else! Sitdown that, predictably, covers a lot of musical ground.
The always-busy Jon Anderson joins Preston Frazier for a Something Else! Sitdown that, predictably, covers a lot of musical ground.
Yes’ “The Remembering / High the Memory” is one epic from the world’s greatest progressive rock band which should not go overlooked.
If something works in pop music, it’s usually then run into the ground. Yes seemed immune to the axiom as 1973’s ‘Tales From Topographic Oceans’ arrived.
Like its album mates on ‘Close to the Edge,’ Yes’ “Siberian Khatru” can hardly be called your typical rock fare.
The opening title track on ‘Close to the Edge’ is longer, but “And You and I” may truly be Yes at the peak of its powers.
A high water mark for Yes, the title track from 1972’s ‘Close to the Edge’ was the result of a slightly different approach.
Is “Heart of the Sunrise” about the power of the sun – or being lost in a city? Whatever the concept, this represents Yes at the peak of their powers.
“Long Distance Runaround” is stuffed with progressive elements from Jon Anderson, producer Eddy Offord and Yes, only adding to its stature in the canon.
An amazing piece of music, “South Side of the Sky” is a platform for the best of Yes’ compositional, playing and arranging talents.
Clocking in just over a minute and a half, Yes’ “We Have Heaven’ is essentially a Jon Anderson chant revolving around two themes.