Has Yes finally hit upon a successor to Jon Anderson who diehard fans will accept? Keyboardist Geoff Downes thinks so – and here’s why.
Post Tagged with: "Jon Anderson"
A promising-but-still-transitional composition from Jon Anderson, Bill Bruford and Chris Squire, “Harold Land” points to bigger things from Yes.
“Yesterday and Today,” from Yes’ 1969 debut album, finds the world’s greatest progressive rock band sounding anything but progressive.
Released this week in 1971, ‘The Yes Album’ was their big-bang moment, a project where the full scope of Yes’ genius began to take shape.
Jon Anderson remembers “And You and I,” which became Yes’ fourth consecutive Top 50 single after its release this week in 1972.
Jon Anderson and Trevor Rabin discuss the creative process that led to Yes’ deeply underrated ‘Shoot High, Aim Low,’ released as a single on Dec. 31, 1987.
We go in depth on one of Yes’ most inventive albums, ‘Relayer.’ Released 40 years ago today, it now represents a road not taken.
Jon Anderson’s lengthy tenure in Yes gave him a broad perspective on its most famous guitarists, Steve Howe and Trevor Horn.
Jon Anderson has found something of a kindred spirit with Matt Malley on the new charity single “Family Circle.”
Trevor Horn, Jon Anderson and Tony Kaye join us to discuss Yes’ “Owner of a Lonely Heart,” issued as a single in October 1983.