John Paul Jones always brought an avant-garde bent to his work with Led Zeppelin, something he’s more fully exploring with Helde Sten on their outlandishly named, and even more outlandishly conceived new Minibus Pimps project.
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‘Always something you can learn’: For Led Zeppelin’s John Paul Jones, Duck Dunn and James Jamerson were huge
Largely self-taught, Led Zeppelin’s John Paul Jones learned most of his early craft on the bass from listening to albums from the Stax and Motown legacy.
For most Led Zeppelin fans, the group’s canonical releases between 1969′s self-titled debut and 1979′s In Through the Out Door are consumptive enough that they needn’t bother with the solo efforts that followed.
Were it any other band, it would be easy to scoff at the prospect. Three old dudes and a replacement for the now-apparently requisite missing dude, but this is Led Zeppelin
Released in the shadow of an acknowledged classic in IV, Led Zeppelin’s Houses of the Holy found the band experimenting with an entirely new palette of sounds.
What’s the continuing attraction, in 2012, for the long-gone Led Zeppelin? From movie trailers to “American Idol,” these long-haired, often-shirtless heavy-metal rock-gods — disbanded since the turn of the 1980s, mind you — remain front of mind.
Led Zeppelin’s image, dating back to the band’s debauched 1970s heyday, has grown so outsized that it sometimes obscures, well, the music.