The Beatles’ 1963 Christmas recording makes the rounds of classic rock radio stations every holiday. The lads send Christmas cheer to fans around the world as they joke and sing bits of holiday carols.
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For the next several columns, I will closely examine the legendary Abbey Road medley, their 16-minute magnum opus comprised of numerous song fragments. Where did these short works come from? How did they fit together so flawlessly?
Years after the Beatles recorded the Yellow Submarine track “Hey Bulldog,” John Lennon casually described the song as “a good sounding record that means nothing.”
She’s one of the world’s most famous avant-garde performers of all time, not so much because of her works but because of who became her soulmate.
The long-hoped-for reissue of Harry Nilsson’s final full-length solo album would be big enough news. How about an all-new version of his John Lennon collaboration “Old Dirt Road”?
The Beatles recorded their share of mysterious tracks such as “I am the Walrus” or even the self-parody “Glass Onion.” Critics still analyze possible meanings of “Strawberry Fields Forever” or weird experiments like “What’s the New Mary Jane.”
Imagine looking through old photos with a family member, with that person reminiscing about people, places, and events with each turn of the album page. Now imagine Ringo Starr in place of that family member
Yoko Ono’s Meltdown Festival opened Friday, with a gala closing performance of her entire 1980 Double Fantasy collaboration with John Lennon planned for Sunday, June 23, 2013.
Years ago, low-quality footage surfaced of the Beatles performing “Some Other Guy” at the Cavern Club on October 22, 1962. Filmed by Manchester-based Grenada Television, the brief clip captures the Beatles playing before a packed lunchtime crowd at the Cavern.
For the next few columns, Deep Beatles shines a spotlight on their BBC performances. Before incessant screaming and the rigors of touring took their toll, the Beatles had become one of the most polished live bands on the road.