It probably goes without saying that, once you found yourself stranded on a distant island, there would be blues. And every kind, too — Delta, dirty, city, country, grease-popping, Texas crunching, let-it-all-hang low, you name it. You May Also Like: How Eric Clapton’s ‘Me and Mr. Johnson’ Made the CaseRead More

Otis Taylor discusses the state of the blues, career intersections with Tommy Bolin and Gary Moore, and the banjo’s forgotten African-American legacy.