A loose and lively affair, ‘On The Blue Road’ emphasizes the dynamics of democracy.
Post Tagged with: "Jefferson Starship"
Something Else! Interview: Jefferson Starship’s Paul Kantner on science fiction, Slick Aguilar, and a concert on Mars
An abiding passion for science fiction led Paul Kantner to transform his psychedelic 1960s-era Jefferson Airplane into Jefferson Starship over the subsequent decade — and it still guides his stewardship of the band today.
OK, I don’t know what’s up with this, but it seems that at one time there were a lot of rock ‘n’ roll bands out there where different members had similar names.
Craig Chaquico helped build the ’70s sound of Jefferson Starship, keyed on Marty Balin’s suave balladry, then joined Mickey Thomas in steering the group toward the pop charts. First, though, they rocked a little.
“It’s Not the Same As Love,” the new Starship album’s lead track, bursts out with a lean, tough attitude — and Mickey Thomas rarely takes his foot off the gas again. Forget MTV-era hits like “We Built this City” and “Sara.”
Readers flocked to content focusing on Led Zeppelin solo projects, partial Journey reunions, Sammy Hagar’s Van Halen years, a key late-period Bob Dylan project and the Beatles, of course. But Miley Cyrus?
For Mickey Thomas, a summer stop as part of the Raiding the Rock Vault series hosted by Asia’s John Payne is a kind of homecoming. The two singers know each other well, and share a bond having carried forward with established bands
Craig Chaquico joins us to talk about key moments from Jefferson Starship and his solo career, including his take on the Albert King-via-Cream classic “Born Under a Bad Sign” from the guitarist’s newly released debut for Blind Pig.
Craig Chaquico is ready to rock again — or more specifically blues-rock again. After years of work as a best-selling acoustic artist, the former Jefferson Starship guitarist has dug back into his earliest influences.
Fire Red Moon is neither the arena rock of Craig Chaquico’s days with Jefferson Starship, nor the chart-topping smooth jazz that he initially turned to as a solo artist. It’s something grittier, more primordial — and utterly surprising.