by Mark Saleski Never heard of pianist Marilyn Crispell? I was first exposed to her work via Anthony Braxton’s momumental Willisau quartet recordings. Crispell has a unique style of play, which I put on the shelf next to Cecil Taylor and Keith Jarrett. This was her first solo record onRead More

by Mark Saleski Anybody out there who has been paying attention to my writings may have noticed that the name Marc Ribot has appeared almost as many times as Pat Metheny. Though the two guitar players are nothing alike, they do take up a considerable amount of my shelf space.Read More

by Tom Johnson In many ways, I am still no closer to being able to put words to my feelings for this album. Instead, I find myself forcing words upon it, all of which are rendered meaningless because they really don’t describe this album, only things that have come beforeRead More

by Tom Johnson I think there’s an annual requirement that Keith Jarrett must issue some kind of musical good. Going into this release, there had only been a handful of years in his career that have not resulted in some kind of album under his name — 1969, 1970, 1978,Read More

A sharper direction on this new release, not to mention an all-star backing cast, helps Stanley Jordon overcome many of the stereotypes that have dogged him since rising to fame in the early 1980s. Back then, Jordan was riding a wave of attention over his use of a eye-poppingly fastRead More