by Nick DeRiso Forgive me if I thought this was going to be trumpeter Nicholas Payton’s further ruminations on the turbulent brilliance of Miles Davis’ Bitches Brew. Instead, Payton really means it.
Post Tagged with: "Jazz"
Posi-Tone Records, the label that has done more than anyone else lately in putting out records by the brightest new talent in mainstream and modern jazz, introduced the pianist and composer Noah Haidu to the world last week. Slipstream went on sale March 22, a debut that doesn’t present mere potential, but an accomplished jazz ace making hard-bop in anRead More
Yesterday, Atlanta, GA bassist Michael Feinberg put out his second album, With Many Hands, a part of a quiet revolution taking place in jazz today. The twenty-somethings like Feinberg and his band who are plying their trade in this hallowed American institution of jazz didn’t grow up listening to only Armstrong, Parker and Davis records. Like everyone else of theirRead More
Photo by Tom Marcello A new reissue series focusing on turn-of-the-1980s sides by the underappreciated Woody Shaw doesn’t consistently illustrate why he’s sometimes considered the last of the true innovators at the trumpet. But United certainly does.
by Nick DeRiso Turns out, it actually does mean a thing, even if it ain’t got that swing. For something like 80 years now, that old Duke Ellington cliche worked as the clarion call of big band music, but its mantra has also become its curse.
by S. Victor Aaron Kingston, Jamaica’s own Monty Alexander looms as large a figure in Jamaica’s jazz world as Bob Marley does for its homegrown reggae. A virtuosic pianist in the Art Tatum and Oscar Peterson tradition, Alexander often melds Tatum and Peterson with the dancehall, calypso and reggae idioms from his homeland, and nobody does it better. Regardless ofRead More
by Mark Saleski Back in the late 1980s, there was a backlash of sorts against the new traditionalist tendencies in mainstream jazz. Wynton Marsalis and his cohorts had come along to celebrate (and honestly, expand upon) the early strengths of bop and, as usual, the major labels started releasing like material by the truckload. Listeners tired of the “young lions”Read More
by Something Else Reviews Often situated in a pillowy cloud of opaque neo-funk, saxophonist David Sanborn’s talents are understandably obscured. The arrangements on his records, like much of the smooth-jazz movement that he still perhaps wrongly personifies, can just be so … agreeable. Yet Sanborn remains unique in his ability to creatively emote in almost any context, no matter howRead More
Yet another product from Moppa Elliot’s Hot Cup Records, which already says a lot about a record that shares the same label as Bryan And The Haggards, Puttin’ On The Ritz, and Mostly Other People Do The Killing. But we were already saying things — nice things — about Lundbom’s record, Accomplish Jazz (2009). For Quavers!, Lundbom has the sameRead More
by Mark Saleski Jazz fans have always been sort of coy with the word ‘fusion.’ We like to make jokes about it, even applying a nickname of sorts — The F-Word — because we’d hate to admit that we’re ever serious about the genre. Yeah, fusion seems to get the Playboy “I just read it for the articles” treatment. ThisRead More