There are couple of ways that Kevin Crabb’s all-original Waltz for Dylan could have gone wrong. Rangy saxophonist Kelly Jefferson and, in particular, pianist John Beasley (Miles Davis) might have completely overtaken this project, dedicated to the drummer’s son. Or, they might have become lost in the distracting bashing of a rhythm guy who mixed his own parts too farRead More
Post Tagged with: "Jazz"
Of all the living trumpet players performing today, few have accomplished as much as Tim Hagans. He acquired valuable experience playing in bands by Stan Kenton, Thad Jones, Woody Herman and currently, Bob Belden.
by Mark Saleski In his essay, “Listening To Music,” composer John Cage offers a possible definition of music and a framework for its evaluation
by Mark Saleski, in Manchester N.H. Leo Kottke brought his one-man encyclopedia of acoustic guitar to Manchester’s Palace Theatre that night.
Australian native alto sax practitioiner Nick Hempton is distingished by his smooth tone and direct delivery. The Business is distinguished by a few things, too. First of all, Hempton is joined by Art Hirahara, is in-demand session pianist who last spring delivered a solid album himself. Secondly, Hempton’s eight originals are all dulcet, deviating and resolutely swinging. Hempton shifts gearsRead More
Dallas, Texas-based Laura Ainsworth, though performing last-century throwback cocktail jazz, may have stumbled into a zeitgeist-defining moment with the opening title track here. Whether she knew it or not back in the recording studio, Ainsworth’s delicious tale of revenge exacted on a serial philanderer is perfectly of the moment
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to jazz drummer Chico Hamilton.
by Tom Johnson I have to be forgiven if I refer to this album as sounding like Frisell “getting back to his roots.” His roots, to me, are not necessarily his original sound but where I picked up with this great guitarist — the era in the early to mid-1990s where he bridged a strange gap between angular jazz andRead More
by Mark Saleski This record has more often than not been out of print. Maybe it’s the legalities involved in dealing with such a large cast. Maybe it’s record company incompetence. I don’t know. What I do know is that it’s one fantastic, diverse and powerful tribute to Thelonious Monk. I got a freshly ‘minted’ copy of the CD thanksRead More
Last year’s Opening made me a believer in the trumpet wizardry of one Carol Morgan, who blazed through a set of originals and standards in a small combo without a piano. Her brand new follow-up Blue Glass Music follows the same formula, with perhaps a bit more emphasis on the standards. She also has a full time foil this timeRead More