Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided to focus on writing and arranging music.
Post Tagged with: "Jazz"
During the first year or so of my post-college life, I developed a habit of visiting my local record shop every Saturday afternoon (it goes without saying that I already had this habit, maybe not so firmly attached to a particular day). It was an unassuming little store hiding in a nondescript strip mall. Nothin’ special, really … but itRead More
by Nick DeRiso Jazz guitarist Al Di Meola, the former teen prodigy in Return to Forever, accomplishes an uncommon thing here, making something out of a cover attempt at the Beatles’ “Strawberry Fields Forever.”
by Nick DeRiso Forgive me if I thought this was going to be trumpeter Nicholas Payton’s further ruminations on the turbulent brilliance of Miles Davis’ Bitches Brew. Instead, Payton really means it.
Posi-Tone Records, the label that has done more than anyone else lately in putting out records by the brightest new talent in mainstream and modern jazz, introduced the pianist and composer Noah Haidu to the world last week. Slipstream went on sale March 22, a debut that doesn’t present mere potential, but an accomplished jazz ace making hard-bop in anRead More
Yesterday, Atlanta, GA bassist Michael Feinberg put out his second album, With Many Hands, a part of a quiet revolution taking place in jazz today. The twenty-somethings like Feinberg and his band who are plying their trade in this hallowed American institution of jazz didn’t grow up listening to only Armstrong, Parker and Davis records. Like everyone else of theirRead More
Photo by Tom Marcello A new reissue series focusing on turn-of-the-1980s sides by the underappreciated Woody Shaw doesn’t consistently illustrate why he’s sometimes considered the last of the true innovators at the trumpet. But United certainly does.
by Nick DeRiso Turns out, it actually does mean a thing, even if it ain’t got that swing. For something like 80 years now, that old Duke Ellington cliche worked as the clarion call of big band music, but its mantra has also become its curse.
by S. Victor Aaron Kingston, Jamaica’s own Monty Alexander looms as large a figure in Jamaica’s jazz world as Bob Marley does for its homegrown reggae. A virtuosic pianist in the Art Tatum and Oscar Peterson tradition, Alexander often melds Tatum and Peterson with the dancehall, calypso and reggae idioms from his homeland, and nobody does it better. Regardless ofRead More
by Mark Saleski Back in the late 1980s, there was a backlash of sorts against the new traditionalist tendencies in mainstream jazz. Wynton Marsalis and his cohorts had come along to celebrate (and honestly, expand upon) the early strengths of bop and, as usual, the major labels started releasing like material by the truckload. Listeners tired of the “young lions”Read More