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Post Tagged with: "Jazz"
A stylistic tour de force, this self-titled trio effort manages to take in many of jazz music’s most notable influences, even tosses in a dash of Pacific island flavor, but it never falls into the rote imitative traps of so many of today’s more traditionalist recordings.
I do believe that there just might be a major error in the Guinness Book of World Records. They’re claiming that the loudest animal sound is made by the blue whale. Hmmmm … not that I want to be a know-it-all or anything but I’m fairly certain that the loudest animal noise ever made was by tenor sax player PeterRead More
by Tom Johnson My first real exposure to jazz was either John Coltrane’s Sun Ship or this. Time has erased the gap between the two, but it matters little. Either way, I was in way over my head. I bought both in quick succession, but found Sun Ship simply way too much and traded it in shortly. Somehow, I heldRead More
by Mark Saleski From swing (“Bopsolete”) to smokey blues (and what self-respecting organ ensemble would sidestep the blues? Check out “Deep Blue,” killer guitar solo by Peter Bernstein on this one), this group knows how to have a good time. The title track gets in that groove and burns. And speaking of fun, there’s always the swingin’ cover of MichaelRead More
An underappreciated Dizzy Gillespie record on Verve, includes some s-s-smokin’ thoughts of “Con Alma” — two, in fact.
You might say that top-notch jazz pianist Orrin Evans has become a fixture here at SER. It all got started four years ago when we noted his participation in Robin Eubanks’ EB3 unit that made the phenomenal double-CD Live, Vol. 1 of 2007. Early last year we salivated over Evans’ Bobby Watson tribute Faith In Action, a Best of 2010Read More
If you were tasked with listing the influences of JazzGuitaristPatMetheny™, some good entries might be Four and More (Miles Davis), Ornette Coleman’s Something Else!!! (Sorry, couldn’t resist), and Smokin’ At The Half Note by the Wynton Kelly Trio with Wes Montgomery.
Pretty much for the last twenty years, there have been two types of Monty Alexander records: one that features exuberant, evocative mainstream New York jazz and one that showcases Alexander’s unique Jamaican-styled jazz. Earlier this year, the Kingston piano great released the straight-up jazz trio live chronicles Uplift, a tremendous record that unsurprisingly shot up to the top of theRead More
by Mark Saleski I have to purchase my Peter Brötzmann only very occasionally because it takes a while to get over the blatant intensity. Recorded at the Molde International Jazz Festival, this is really what European improvised jazz is all about. Well, maybe not all, but certainly a side of it. You know how some folks will characterize slower musicRead More