by Tom Johnson Tortoise alum Rob Mazurek had a big concept behind this project. As we all know, sometimes big concepts pay off, sometimes they simply lead to big letdowns.
Post Tagged with: "Jazz"
As I type this review, I’m listening to not necessarily All Wrapped Up, the new record by organist Jared Gold, but also Unity by Larry Young. I know, it doesn’t make sense, since it’s Gold’s record being reviewed here, not Young’s. But something struck me about All Wrapped Up when I listened to it the last time: Gold’s artistic developmentRead More
On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to Orrin Evans
Rhys Chatham: The Man With The Horns. Many, many horns. It might be only the third Stacks so far this year, but it’s a much overdue one. There’s a whopping seven 2011 releases discussed here
Orrin Evans arrived amidst a wave of new jazz performers in the early 1990s. Unlike many of those young lions, however, he managed to bob up from that era’s ultimately empty retro-conservatism.
Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided to focus on writing and arranging music.
by Mark Saleski During the first year or so of my post-college life, I developed a habit of visiting my local record shop every Saturday afternoon (it goes without saying that I already had this habit, maybe not so firmly attached to a particular day). It was an unassuming little store hiding in a nondescript strip mall. Nothin’ special, reallyRead More
by Nick DeRiso Jazz guitarist Al Di Meola, the former teen prodigy in Return to Forever, accomplishes an uncommon thing here, making something out of a cover attempt at the Beatles’ “Strawberry Fields Forever.”
by Nick DeRiso Forgive me if I thought this was going to be trumpeter Nicholas Payton’s further ruminations on the turbulent brilliance of Miles Davis’ Bitches Brew. Instead, Payton really means it.
Posi-Tone Records, the label that has done more than anyone else lately in putting out records by the brightest new talent in mainstream and modern jazz, introduced the pianist and composer Noah Haidu to the world last week. Slipstream went on sale March 22, a debut that doesn’t present mere potential, but an accomplished jazz ace making hard-bop in anRead More