Musician and street poet Gil Scott-Heron, best known for “The Revolution Will Not Be Televised,” died today. Cause of death was not immediately known; he was 62. Scott-Heron started out at the dawn of the 1970s as a jazz-inclined R&B singer and spoken-word performer, a rapper years before the genre was formally invented. “The Revolution Will Not Be Televised” —Read More
Post Tagged with: "Jazz"
by Mark Saleski There are drummers who can keep time, who stay out of the way in the effort to enhance their fellow musicians’ sound. Moving a step beyond that are people like Joe Chambers, who play with so much nuance and obvious consideration for the ongoing moment that what you’re hearing is no longer mere percussion, but a livingRead More
Vacation Part 3. OK, so I didn’t win the lottery. I didn’t buy a big house on the Maine coast. There was no affair with the real estate agent. But you could have probably guessed all of that.
When I listened to the all-time-great bassist Rufus Reid’s brand new CD Hues Of A Different Blue for the first couple of times, it kind of threw me for a loop. Last year’s release Out Front, an SER “Best of 2010: Mainstream and Modern Jazz” selection, was the perfect bass-led trio jazz record . His latest one, out last AprilRead More
Vibraphonist Gary Burton’s entire career as a musician has been about thinking outside the box and exploring new frontiers in jazz music.
by Mark Saleski First off, I just have to say that this album, recorded at WGBH’s Fraser Performance Studio in Boston, sounds gorgeous. Many modern recordings, even in the quieter jazz realm, are tainted by the overuse of compression. Not so here. The inner detail of Winard Harper’s cymbal work is right there and Onaje Allan Gumbs piano is veryRead More
Endlessly engaging, Michael Wolff was praised by the New York Times for “near impeccable good taste, technical facility and lyrical inventiveness.”
by Mark Saleski I do like my jazz with some funk, and Chris Green delivers. The opening track “Good Riddance!” cooks right along as does “Coffee ‘n Scotch,” built on a simple ostinato that gets moved around in sly ways as the funk slips into and back out of straight swing. The album hits a couple of delicious peaks duringRead More
A pioneer as just the third African American woman to make a phonograph recording back in the 1920s, Edith Wilson later fell on hard times — and was reduced to appearing through the mid-’60s (and quite anonymously) in the first Aunt Jemima TV commercials.
Sometimes old really is new again. Bela Fleck and the Flecktones existed as a trio for a handful of years after harmonica/pianist Howard Levy left, only to ask consistent fill-in saxophonist Jeff Coffin to join their ranks.