Jimmy Cobb, the primarily self-taught drummer who rose to prominence during a ’50s-era stint with Miles Davis, takes us inside the free-form sessions favored by his old boss.
Post Tagged with: "Jazz"
The Tierney Sutton Band learned something about themselves, and about this land, during their many travels for performances. These ruminations, actually begun before the group’s 2009 project Desire, have finally coalesced within the timeless and refined American Road — a slow-cured reconstruction of a dozen venerable favorites on the BFM label, performed as jazz and folk vocal pieces with aRead More
Jimmy Cobb, the lone survivor of Miles Davis’ first legendary band, continues to furiously drum — even while carrying the torch.
The trio of respected Canadian sidemen who complete the Cinque band, though nowhere near as famous as Joey DeFrancesco and Steve Gadd, end up providing the structure and verve for this celebration of good-time soul jazz.
Many a jazz singer has stumbled through the Great American Songbook, slowed by imitative missteps or the inability to keep pace with a swinging quartet surrounding him. David Paul Mesler is not that singer.
by Mark Saleski Too bad that the clarinet was the instrument guys were embarrassed to be stuck with in band.
At the Marquee Theater in Tempe, Arizona: We finished dinner a little before six and headed over to the Marquee theater, which was really only a few minutes away.
Despite his heritage, American alto saxophonist Rudresh Mahanthappa didn’t start out as a practitioner of a unique blend of American jazz and traditional Indian music, he started with the jazz style of the America he grew up in and worked his way back to the music of his forbears’ native India.
Frank Kohl approaches the guitar with an exuberant curiosity, but also a well-crafted ability — skittering from influence to influence without ever stumbling. He sounds like he’s having a ball, too. That’s led to an album called Coast to Coast that boasts a savvy veteran player’s satisfying structural logic, but also its share of humor and fun.
There are couple of ways that Kevin Crabb’s all-original Waltz for Dylan could have gone wrong. Rangy saxophonist Kelly Jefferson and, in particular, pianist John Beasley (Miles Davis) might have completely overtaken this project, dedicated to the drummer’s son. Or, they might have become lost in the distracting bashing of a rhythm guy who mixed his own parts too farRead More