This creative burst mostly came with help from jazz luminaries, but ‘The Omnichord Real Book’ still sounds like the singular Meshell Ndegeocello.

Ron Miles’ music is always both relaxed and cerebral, a rare combination of qualities that few can pull off so convincingly. But once again with ‘Rainbow Sign’ he does, and with the ample help of some very special friends.

Ron Miles deconstructs through his accomplished art the complex emotions of protracted strife both within society and within a person, and makes compelling music from it. The added sense of purpose propels ‘I Am A Man’ to the upper echelon of his discography.

A standout thing I’ve come to realize in sizing up Ralph Alessi’s ECM debut Baida is not just the record itself but the realization that this is the first Alessi-led album I’ve had the occasion to cover. You May Also Like: David Ake – Humanities (2018) Avishai Cohen – CrossRead More

Amazon.com Widgets Charles Lloyd, the jazz legend hidden in plain sight, is as productive and vibrant coming up on his 75th birthday as he’s ever been. You May Also Like: Richard Lloyd Giddens Jr. – Mimosas (2017) Kelly Moran – Bloodroot (2017) Max Moran, jazz bassist: Something Else! Interview