A rare talk with co-founding Band multi-instrumentalist Garth Hudson, presented in two parts over the course of November, shot to the top of our November 2012 readers poll
Post Tagged with: "George Harrison"
Unlike many bands, the Beatles’ B-sides were often just as good, if not better, than the A-side single. Case in point: “For You Blue,” the B-side to the hit single “The Long and Winding Road.”
1967 marked a crucial transitional period for the Beatles; they recorded the groundbreaking Sgt. Pepper’s Lonely Hearts Club Band; performed “All You Need Is Love” on the Our World broadcast
For all of the promise that greeted their time apart — we’ll get four Beatles albums a year now! — the reality was far different as Paul McCartney, John Lennon and George Harrison embarked on solo careers.
Dhani Harrison, in an interview with Neil McCormick of the Telegraph, laments the pressure put on children of famous musicians — openly wondering why artists in other professions like acting get a pass.
As the Beatles’ career progressed, George Harrison gradually developed into a first-class songwriter on a par with the formidable John Lennon/Paul McCartney partnership.
The news that there could be as many as two more albums from Amy Winehouse, a year after her passing, got us to thinking about posthumous releases.
“Make It Home,” the electronica-drenched lead track from thenewno2’s forthcoming full-length thefearofmissingout, finds George Harrison’s son doing things both expected and completely, very-neatly unexpected.
If you were looking for the Beatles, or some terrific new music, or even something other than flatly featureless cartoon caricatures of the Fab Four, then 1968’s Yellow Submarine was a crashing disappointment.
For the musical Indiana Joneses amongst us, 2012 has already yielded a number of artifacts for the ages — and we’re but half way done.