Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.
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‘Book of Souls’ is a good by comparison to recent Iron Maiden efforts, but within the context of their entire catalog, it’s mediocre at best.
Much like Christopher Bowes’ other band Alestorm, Gloryhammer doesn’t take its themes too seriously. The music, however, is another matter.
Motley Crue’s ‘Theatre of Pain’ doesn’t equal the power of ‘Shout at the Devil’ or the sleazy fun of ‘Dr. Feelgood,’ but it’s worth another listen.
If there’s one word to ‘Win Hands Down,’ and Armored Saint in general, it’s consistency. You know what you’re going to get, and you get it every time.
‘Hits the Hits,’ a 13-song collection of covers, allows Bob Wayne to put his unique spin on classic rock – and some much stranger pop choices.
Unfortunately, I’m not hearing the energy and power of classic Iron Maiden. It can be done, though. Judas Priest proved that last year.
When Metallica’s ‘Black Album,’ released on Aug. 12, 1991, hurtled them into the mainstream, it felt like something sacred had been taken away.
‘Sabotage,’ released in July 1975, finds Black Sabbath still at the height of its powers, but on the brink of slipping into chaos – and that translates into the music.
Savatage’s ‘Return to Wacken’ is a bit misleading, since it includes studio versions rather than live songs. But there’s still a reason to celebrate.