by S. Victor Aaron Some favorite jazz albums of mine that don’t come up at the top of anyone else’s top records list, but I thought were outstanding despite the lack of publicity about them. … You May Also Like: Jazz’s Best Last Records by John Coltrane, Eric Dolphy +Read More

by S. Victor Aaron Here, we take a look at the mighty Hammond B-3. To make it a bit challenging, no records by the organ jazz godfather Jimmy Smith will be on the list. You May Also Like: Brian Charette – Once & Future (2016) Jake Reed – ‘Reed BetweenRead More

A look back at a handful of Miles Davis recordings that you might not have already grown dead-dog sick and tired of.

By Nick DeRiso It you’re interested in Delta piano stylings, as seen through the sieve of Chicago’s mean streets, here’s a great place to begin your journey. Issued by Stan Lewis’s hip-shaking local indie label, “Chicago Piano, 1951-58” features Sunnyland Slim, Little Brother Montgomery, Memphis Slim and others. You MayRead More

by Nick DeRiso Perhaps the only album from after the so-called Classic Period (“Dark Side”-to-“Animals,” some would also include “The Wall”) that must be checked out by any prospective Pink Floyd fan — if only because it helps encapsulate the Rest of the Story, outside of Roger Waters’ monolithic influence.Read More

by Nick DeRiso It’s been more than 50 years since Stan Lewis opened Stan’s Record Shop in downtown Shreveport. From his vantage point at the the top of Texas Avenue (I used to sneak down there after class), he would go on to create a once-lucrative business, then see theRead More

Fans of his so-called comeback projects shouldn’t skip over ‘Connected’ as they make a bee line for Allen Toussaint’s classic-era albums.

by S. Victor Aaron If someone were to ask me who was the best alto sax player ever, I couldn’t at least not heavily consider Cannonball Adderley, the Miles Davis sideman. He had both technique and soul by the sackful. Adderley churned out some fine ones even without the PrinceRead More

by Nick DeRiso Rainbow Mist, Coleman Hawkins’ 1944 smoker on Delmark, was a brilliant record borne out of boredom. Hawkins, the tenor saxman, had already made his splash with the song “Body and Soul,” back in 1939. When he returned from living in Europe for five years, he took aRead More