Forgotten series: Message To Love: The Isle Of Wight Festival – The Movie (1995)
It hasn’t received anywhere near the same notoriety as the much better known rock festival documentaries Woodstock and Gimmie Shelter
It hasn’t received anywhere near the same notoriety as the much better known rock festival documentaries Woodstock and Gimmie Shelter
Not at all associated with the contemporary Australian band of the same name, these fellows came from London, England and got together in 1974.
Born Benjamin Franklin Van Dervort, J.D. Blackfoot had been around the block quite a few miles by the time The Ultimate Prophecy materialized in 1970.
OK. So, by this point in the review, you should know that these guys weren’t serious. Yeah, I know it just started, but come on, look at that album title
So, these days, when most people think about the hard-rock scene of the late 1980s and early 1990s, they think of a swirling mass of cookie-cutter bands that were much more about style and image than music.
Now here’s a band that paid some serious dues! Founded in late 1964, the Ides of March were barely teenagers when they started gigging and cutting discs.
Sitting tight as one of the finest psychedelic statements of the era, Love and Poetry marked the introduction of this talented trio based in Northern Ireland.
Armed with an arsenal of great songs, sharp chops and a cool look, the Choir were Cleveland, Ohio’s answer to the best of the British Invasion.
I was saddened at the loss of Godflesh, but long before their dissolution Godflesh had ceased to be what interested me in them in the first place.
During the late 1970s and early 1980s, a hot and heavy Mod revival occurred in England. Instigated by the vision of the Jam, the scene may have been fertile, but the majority of participants proved to be pale imitations
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