Approaching his 70th birthday, trumpet maestro Natsuki Tamura made the very personal ‘Koki Solo’ with a youthful frivolity that belies his age and signals that he remains in his peak period.

Indigenous Lifeforms’ ‘Siberia Extreme’ captures the essence of spiritual, shamanic story-telling, combining very Western improvisation with soaring vocals.

Wherever Thollem travels during an Astral Traveling Sessions jaunt like the ones he made with Alex Cline and Susan Alcorn, it’s a journey into the vast unknown areas of music that few dare to venture. But Thollem, he lives there.

This is obviously not music for all tastes but if you know about Fred Frith and Ikue Mori, then you know how good they are at making noise; for ‘A Mountain Doesn’t Know It’s Tall’ they make beautiful noise together.

Kuzu’s third album ‘The Glass Delusion’ continues this noise-jazz trio’s reputation for making some of the most individualistic and rewarding music of this genre.

For their newest album ‘Asteroid Ekosystem’, the adventurous Alister Spence Trio shook things up by inviting a guitarist — fellow Australian Ed Kuepper — to join them for the recording sessions. In Kuepper, Spence brought a real provocateur into the party.

‘Thollem’s Astral Traveling Sessions with John Dieterich’ tingles your auditory senses because this is breaking new ground and they’re defining the whole dobro/synth genre as they go along. There might not be two musicians better equipped to be the first at doing that.

Individually and collectively, Tim Berne’s Hardcell trio was amazing and the live souvenir ‘The Cosmos’ confirms that.

‘xFORM’ is one of the snowflakes from a David Torn/Prezens live performance that’s thankfully been captured for posterity and now, available for the public.

If you like your genres mixed and mashed, ‘I Am Panda’ by Chiminyo – a.k.a. Tim Doyle – is a good place to start.