Kevin Coyne – ‘Live Rough and More’; ‘Shangri-La: Live in Bremen’ (2023)
Two brilliant live LPs from Kevin Coyne, an idiosyncratic artist who defied the ’70s ethos of prog fantasy, hard-rock machoism, and folky sentimentalism.
Two brilliant live LPs from Kevin Coyne, an idiosyncratic artist who defied the ’70s ethos of prog fantasy, hard-rock machoism, and folky sentimentalism.
With ‘How I Learned to Love the Freaks,’ Vinny Peculiar emerges from the hazy smoke of late-’60s youth counter-culture with a clever psych-rock album.
Wilma Baan’s ‘Look at Me Now’ launched at Pizza Express Live in London and has received impressive reviews.
With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.
Zoe Rahman’s ‘Colour of Sound’ is a heady mix of joy, love and occasional tranquil moments where the music takes you on a giddy trip again and again.
British experimental band Szun Waves scours dark sonic corners for melodic human hope on ‘Earth Patterns’ – and that’s a tough thing to do.
U.K.-based prog-rocker Joe Bailey is following his hard-hitting Mark Anthony K collaboration with a new album titled ‘Ghosts.’
The debut single from the Cretins is a ’60s mid-tempo garage rocker that’s instantly catchy, contemporary, and memorable.
The Embrooks’ highly anticipated ‘We Who Are’ represents a welcome, positive and long-overdue comeback.
Beverley Beirne joins Sammy Stein to discuss her entertaining new album ‘JJWTHF: Jazz Just Wants To Have Fun,’ and the role of coincidence in her art.