Here is a review of Jimmy Greene’s ‘Beautiful Life,’ a hopeful and very personal message sprung from the unspeakable tragedy of Sandy Hook.
Post Tagged with: "Christian McBride"
After the fiery introduction made on his 2011 eponymous debut, vibraphonist Warren Wolf takes a more melodic tack with the follow up Wolfgang, and the results are as inviting as they are joy-filled.
John Frusciante shows why his head-scratching departure from the Red Hot Chili Peppers at the height of their fame actually makes perfect sense. The guitarist is far too flinty, too weirdly singular.
Still going on a tear following his widely-acclaimed Kind Of Brown (2009), the prodigious bassist Christian McBride has since produced two records in 2011 and soon to be two in 2013;
It’s been about three years since trombone powerhouse Michael Dease has released a record of his own but that’s understandable.
A pair of big-selling 1980s albums from either end of the rock spectrum get the deluxe reissue treatment, one the then-emerging indie-rockers R.E.M. and the other the confirmed pop-rock stars Huey Lewis and the News.
Taking a page from Cannonball Adderley, who had a remarkable ability to take the complex and make it feel approachable, Christian McBride’s new album is as relatable as it is intense, as ebullient as it is substantive.
Guitarist David Gilmore (not the Pink Floyd guitarist David GilMOUR) has been prolific as a sideman, composer and educator. Leader? Not as much. But when he’s gotten around to making a record, it’s made an impact.
Ever since he asked that existential question “Is She Really Going Out with Him?” Joe Jackson has defied categorization, moving from the initial “new wave” label into other genres such as jazz and Latin music.
The inaugural International Jazz Day on April 30, called by Herbie Hancock as his initial proposal upon being named a goodwill ambassador by UNESCO, will include concerts in New Orleans, Paris and New York. Jazz-related events are also scheduled in several dozen other countries, as well.