‘Pacific Ocean Blue,’ released on August 22, 1977, turned a rare spotlight on the Beach Boys’ craggy-voiced bad boy Dennis Wilson.
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Between age-old rock snobbery and this nasty squabbling, it’s easy to forget what once made the Little River Band great. Time for a cool change.
Jackson Browne’s 1986 single “In the Shape of a Heart” was a big hit in certain circles. It went to No. 10 on the adult contemporary chart, but rose to only No. 70 on the Billboard Hot 100.
The problem with Blood, Sweat and Tears was that many rock fans didn’t consider them to be a real rock band. Their guitarist, Steve Katz, never reeled off the flaming, red hot, twelve-minute, guitar jams
Even though “No Milk Today” (#35, Hot 100 in 1967) was released in the USA by Herman’s Hermits as the B-side to “There’s a Kind of Hush” (#4, Hot 100) it was the better song of the two
Back when the famous, classic, horn-rock band was known as Chicago Transit Authority, they released a top-notch single called “Questions 67 and 68,” off of a 1969 eponymously titled debut album. It didn’t do much on the charts
“It’s the End of the World as We Know It (and I Feel Fine)” is one of the longer song titles in rock ‘n roll and one of the more oddball releases from R.E.M. (probably only superseded by “Leave” from New Adventures In Hi-Fi).
[youtube http://www.youtube.com/watch?v=YlH3bZt9ooU&w=500&h=305] Released as a single in 1969 from 20/20, the Beach Boys’ last album for Capitol Records, “I Can Hear Music” is possibly their greatest single of the post-Pet Sounds era — and, unusually, it’s not an original.
[youtube http://www.youtube.com/watch?v=GPG3zSgm_Qo&w=500&h=305] There are as many Christmas music traditions as there are stockings hung with with care. For some, the process of awaiting ole St. Nick requires a classic soundtrack, filled with old favorites. For others, something newer makes sense.
Worried about being running aground in some tropic locale this Christmas season? Something Else! has you covered, with a new list of Yuletide favorites criss-crossing the usual stylistic landscape.