With the first post-Daevid Allen Gong album, the torchbearers of serious rock who don’t take themselves *too* seriously carries on confidently.

Daevid Allen’s final recording is as he’s always sounded: like he’s still frolicking in 1970 trying to imagine what music might be like in 2020 if we had lost our minds along the way,

These rehabilitated acetates point the way for the career-defining music Robert Wyatt would record in the years that followed.

One For Sorrow, Two For Joy is the fifth record by UK/Swedish progateers Thieves’ Kitchen, a band that’s been around since ’99 but hadn’t gotten perhaps the notice here in the States they’ve enjoyed in their local European environs. Here’s a strong bid for wider recognition. You May Also Like:Read More