Brian Eno returns to the long-form sense of suspended animation that made 1975’s ‘Discreet Music’ forefather to an ambient movement nobody knew was coming.

Everybody has their own definition of a “chill” record. But if ever there was a time when one was desperately needed, it would likely be when you are stranded on a faraway island — with nothing but a volleyball to keep you company. You May Also Like: Philip Glass TranscendedRead More

Brian Eno’s first vocal, “pop”-based album since 1990’s overlooked classic (in my opinion) Wrong Way Up with John Cale and also to Nerve Net, Another Day On Earth found Eno in much more ambient territory than one might expect from the description. Comparisons to 1992’s Nerve Net are likely moreRead More

I excitedly ordered a copy of this collaboration between Robert Fripp and Brian Eno when it was released as an import through Fripp’s DGM records in the U.S., and I unfortunately cannot say I recommend it. For two geniuses of ambient, this was incredibly boring, and this is coming fromRead More

“Under African Skies,” a new documentary from Joe Berlinger on the making of Paul Simon’s Graceland, will debut on Jan. 22 at the 2012 Sundance Film Festival. You May Also Like: How ‘Paul Simon’ Set the Template for a Career of Dizzying Musical Exploration Simon and Garfunkel Set a HighRead More

These ambient records aren’t necessarily the “best,” just ones I return to again and again when I’m in the mood to induce a zone state.

by Tom Johnson 2004’s Equatorial Stars seemed like a reunion after 12 years apart for these two ambient giants. After all, the last we’d heard from them was on Eno’s 1992 album Nerve Net, but little did we know that they’d been working together the entire time. This album pullsRead More