When Brian Eno’s ‘Small Craft on a Milk Sea’ arrived in November 2010, I was disappointed. You expect him to be ever changing.
Post Tagged with: "Brian Eno"
‘Nerve Net,’ released on September 1, 1992, found the always-intriguing Brian Eno creating something both booty-wagging and intelligent.
Inventive yet still unabashedly joyous, ‘Everything That Happens Will Happen Today’ was released by David Byrne and Brian Eno on August 18, 2008.
Surprise, indeed. This album, released on May 9, 2006, found Paul Simon broadly expanding his sonic palette through a collaboration with Brian Eno.
Just as much as the first track from Brian Eno’s forthcoming collaboration with Underworld’s Karl Hyde was girded by a doomy sense of portent, “Daddy’s Car” is a compulsively listenable ride — all scronky keyboard blips, ass-moving beats and late-night promise.
OK, so the sounds delivered by the project you see below don’t exactly reach the heights (or lows, depending on your listening proclivities) of a WTF! But in the case of artist Bartholomaus Traubeck, it was his idea that turned my head.
Slowly at first, and then with a tornadic gush, Brian Eno and Karl Hyde begin this collaborative journey. “The Satellites” begins with an almost imperceptible pulse, then synth and sax tangle and untangle — creating an undulating dissonance, before there emerges from these whispers a canny amalgam of Eno’s ambient ruminations and Hyde’s Underworld electronica.
Peter Gabriel, always one for the theatrical, released a double-album of interpretive music this week in Scratch My Back … And I’ll Scratch Yours, with mixed results.
The celestial tones of “Emerald and Lime,” the opening track on Brian Eno’s Small Craft on a Milk Sea, would fit snugly on Music for Films or Another Green World. It feels like familiar ground
This is the sound of a leaf, tumbling end over end just above the outstretched grass. The sound you hear in between heartbeats. The sound that clouds make as they move across the sky. You’ll hear all of that, and more, if you listen closely enough to Lux