Guitarist Colin Linden, whose career has included memorable intersections with Bruce Cockburn and Emmylou Harris, is no stranger to big moments on big stages.
Post Tagged with: "Bob Dylan"
A darkly delicate denouement, Bob Dylan’s “I Shall Be Released” — as conveyed with trembling, breakable beauty by Richard Manuel — concludes Music from Big Pink like a moment in miniature.
Building off Ezekiel’s biblical vision, “This Wheel’s On Fire” recalls — more than any other track on Music from Big Pink — the collaborative setting between the Band and Bob Dylan
Massive box sets devoted to the Beach Boys, Bob Dylan and Sly and the Family Stone took us on wildly disparate musical journeys this week. Then, there was Stephen Stills’ blues-rocking new trio, the Rides.
Bob Dylan’s bootleg series typically offers a opportunity to dig deeper into his enigmatic and often quite personal musical history. This new edition, despite being subtitled Another Self Portrait, is different.
Readers flocked to content focusing on Led Zeppelin solo projects, partial Journey reunions, Sammy Hagar’s Van Halen years, a key late-period Bob Dylan project and the Beatles, of course. But Miley Cyrus?
When he first heard that Bob Dylan had covered a tune from 1999′s Rumor and Sigh in concert recently, Richard Thompson admits that he figured he was being pranked.
This was album in which Bob Dylan gave in to everything that had happened to his voice, when he finally started sounding old. He also gave in to the atmospheric process that producer Daniel Lanois established, creating a late-period classic.
In a week overstuffed with reissues — among them a timely set of Black Sabbath oldies, and stuff from both Steve Hackett and his old band Genesis — a few brand-new musical items nevertheless stood out.
With its watery guitar intro and decaying drum pattern, “Tears of Rage” quickly established the Band as something entirely different — even before Richard Manuel’s devastating vocal began.