Dylan proceeded to pull out a series of songs that, truth be told, didn’t appeal to the future leader of the Band.
Post Tagged with: "Bob Dylan"
This track serves as a powerful reminder of what country music used to be – and what it could be again.
Bob Dylan’s “Don’t Think Twice,” with its sad acceptance of life’s strange twists set to a plucky finger-picked cadence, always seemed well suited for a country-music makeover.
Charlie Daniels’ one of country music’s best-known outlaws, found a kindred spirit in Bob Dylan — a rebel who, Daniels says, refused “to do anything except what he felt like he did best.” They only met, however, because another sessions guitarist couldn’t make it.
It was the best of times, it was the worst of times. It was the age of waning religious zeal and disco experimentation, the epoch of brilliant outtakes like “Blind Willie McTell” and lackluster releases like Down in the Groove.
Bob Dylan’s career, brimming as it is with enough unreleased tracks to make ordinary songwriters blush, has often puzzled both fans and critics alike. At times, there appears to be no rhyme or reason to his decisions regarding which of composition to release and which to leave in the can. Tracks such as “Blind Willie McTell,” “Lord, Protect My Child,”Read More
That this song, a legendary outtake from Bob Dylan’s 1983 album Infidels, heralded the Band’s long-hoped-for return to the studio was fitting.
By 1981, Benmont Tench had seen success as a member of Tom Petty and the Heartbreakers, had been part of several hit moments. That doesn’t mean he was ready to be thrown in the deep end — all alone — on a Bob Dylan session.
I’m sure there will be those who balk at a title like that, what with Neil Young, George Harrison, Tom Petty, Eric Clapton, Lou Reed and Bob Dylan himself, of course, appearing on this gala 30th Anniversary Concert Celebration reissue.
The introduction of a new studio to experiment with might have felt like a happy challenge for another Band, in another place. Instead, Albert Grossman’s just-opened Bearsville facility ended up feeling, as Robbie Robertson once said, “too bright and cold.” Much of the music on 1971′s Cahoots, to be honest, did too