Daniel Lanois had already produced a slew of stars prior to his first record for Bob Dylan. Still, he was wary when it came to 1989’s ‘Oh Mercy.’
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‘The Last Waltz,’ released as a triple album on April 7, 1978, chronicled a guest-packed Band concert that overcame one complication after another.
Slash added one of his “better one-off solos” to a Bob Dylan song, but it was never released. Find out why the Guns N’ Roses legend is OK with that.
A portion of Mark Knopfler’s upcoming album ‘Tracker’ grew out of shared experiences on the road with Bob Dylan.
It might seem, well, so unusual, but Tom Jones counts Bob Dylan as a hero. That led to a surprise appearance at the recent MusiCares Foundation concert.
These are the first hints at darker revelations to come from Bob Dylan on ‘Blood on the Tracks.’ But, because of the Band’s presence, far different.
The twist in Bob Dylan’s new video adds a new complexity to a song that used to only be about two lovers’ theoretical last evening together.
For Daniel Lanois, an intimate preview revealed unexpected depths in Bob Dylan’s new Frank Sinatra-focused album ‘Shadows in the Night.’
Bob Dylan’s gently involving set of covers shouldn’t work, because the principal thing that’s always made him so galvanizing has been his fury.
Released 40 years ago, ‘Blood on the Tracks’ signalled that Bob Dylan was ready to re-engage in his career. It was also something more personal.