One of my favorite funk-jazz albums of all time isn’t by a crossover act like the Crusaders or Herbie Hancock’s Headhunters, but by Lou Donaldson.

Cassandra Wilson, unlike so many, never turns a cover tune into a math problem — trying to get it too note perfect, or make it add up. Instead, her hypnotic, sensuous contralto transforms other people’s work, often giving it a power and meaning never dreamt of before. That’s writ largeRead More

by Pico In 1939, German immigrant Alfred Lion founded Blue Note Records along with Max Margulis as a label dedicated to signing and recording jazz and blues artists. Over the years, this label became a central part of jazz history itself, as it became the home for seminal recordings byRead More

NICK DERISO: While Rubalcaba was making troubling (if not downright boneheaded) political decisions, he was also proving to be an inspiring (and sometimes downright thrilling) young pianist. Not long after Rubalcaba said the crippling Communist regime in his native Cuba wasn’t all that bad, after all — much to theRead More

No serious conversation about old school funk-jazz can leave out this gem. “Always There” is a essentially a two chord vamp, but damn, it’s a two-chord vamp that hits squarely in the center of funk’s sweet spot. The song’s co-creator Ronnie Laws spent the first half the seventies lending hisRead More

Have I really gone this far without shining a spotlight on Grant Green? Wow. Grant Green is an all time favorite guitarist of mine. He was one of the few out there who was technically amazing and could squeeze so much soul out of each note at the same time.Read More

NICK DERISO: There was a time, and not that long ago, when jazz was the music of this country’s youth — a way to rage against the machine, back when the machines were Desotos and Studebakers. So we have here a fairly novel idea: Using the staid conventions of classicalRead More

NICK DERISO: Cuban sensation Gonzalo Rubalcaba entered the U.S. not yet a legend, but discovered by one, Dizzy Gillespie. Rubalcaba (very Corea, but with some Hancock mixed in) made a splashy debut on both the Blue Note and Messidor labels in the early 1990s — reinvigorating the Afro-Cuban jazz movement.Read More

Let’s circle back to a key moment from Larry Young, the John Coltrane of the jazz organ.

by Pico A while back we looked at some of jazz’s most notable swan songs, a short, but certainly not complete list of the best last recordings of some jazz greats. So, what about some of the best beginnings? Here I will list five of what I’d consider some ofRead More