The word ‘Mahobin’ means ‘thermos bottle’ but also ‘magic bottle’ in Japanese, and the magic made for ‘Live at Big Apple in Kobe’ that retained its passion throughout meant that this fledgling group had lived up to both meanings of the name.

The Satoko Fujii Orchestra Berlin really comes onto its own with ‘Ninety-Nine Years.’

Whether it’s individual heroics or wonderful ensemble symmetry, ‘Rhapsody’ begins with the mind of Bobby Previte. He not only had a concept but saw it to a fully developed work that stays true to its mission and articulated it well.

Satoko Fujii’s newest combo is This Is It! and their debut album ‘1538’ can’t get much closer to improvisational music perfection.

It’s always a good indication that the music is working the way the artists intend for it to work when you struggle to pigeonhole it but can easily get a firm grasp of its emotional impact. Syrinx Effect ‘s ‘A Sky You Could Strike A Match On’ does just that.

The all-originals ‘Ours’ and all-covers ‘Theirs’ are both bulls eyes from Thumbscrew and a strong way to persuade the quality label Cuneiform to not give up the fight.

It’s that opaque fickleness juiced by prowess on their instruments that makes Spencer Friedman and Paul de Jong’s ‘Functions’ both so different and yet so compelling.

Satoko Fujii is issuing an album in every month of 2018, and if there’s one musician with enough ensembles, projects and ideas to pull it off, it’s her.

Anteloper’s ‘Kudu’ suggests that there is so much art waiting to be tapped with only a trumpet, drums and a little bit of circuitry.

One can’t help to think that Steve Lacy would have loved the originality Ben Goldberg and Michael Coleman brought to these personal expressions of his.