The celestial tones of “Emerald and Lime,” the opening track on Brian Eno’s Small Craft on a Milk Sea, would fit snugly on Music for Films or Another Green World. It feels like familiar ground

Roger Eno, the romanticist brother of Brian Eno, returns to his collaboration with experimental artist Plumbline — who spent a long period before their first duo effort capturing verite sounds at intersections in New York City.

People who have a rigid conception of what music is (read: chords, harmony, melody) are often surprised to learn that musical inspiration can materialize from very unlikely sources

Ambient music, avant-garde — whatever musical tag you want to hang on it won’t be too far off, as Tangerine Dream takes us way out in the deepest outer reaches of space rock.

The Only Way To Go Is Straight Through begins like a train grinding to a sparks-throwing stop — except it never stops. It just keeps throwing sparks, keeps getting louder, and brighter, and closer.

A new remix project focusing on Mike Oldfield’s 1973 genre-defining new-age smash Tubular Bells ends on a stirring note, as the multi-instrumentalist is joined by ex-Nightwish singer Tarja Turunen on the finale “Never Too Far.”

With Escapement, London-based composer and performer Poppy Ackroyd provides a moving, immersive experience using little more than the bare necessities.

A wave of bracing yet sometimes static sound, Broken Harbour’s The Geometry of Shadows picks up where the heft of his previous work Gramophone Transmissions left off.

This is the sound of a leaf, tumbling end over end just above the outstretched grass. The sound you hear in between heartbeats. The sound that clouds make as they move across the sky. You’ll hear all of that, and more, if you listen closely enough to Lux

Everybody has their own definition of a “chill” record. But if ever there was a time when one was desperately needed, it would likely be when you are stranded on a faraway island — with nothing but a volleyball to keep you company.