Bob Dylan + the Band, “Going Going Gone” (1974): Across the Great Divide
“Going Going Gone” makes a definitive case for Bob Dylan’s 1974 reunion with the Band, so perfect is their musical reaction to his frayed lyric.
“Going Going Gone” makes a definitive case for Bob Dylan’s 1974 reunion with the Band, so perfect is their musical reaction to his frayed lyric.
On an album that justly earned accolades for touching upon every element of Garth Hudson’s roving genius, this grace-note finale often gets overlooked.
Rick Danko was the first to start a solo career, but this involving duet with his former Band mate Levon Helm shows a sense of community remained.
Robbie Robertson continued in his role as a curator of things that Americans take for granted with this New Orleans-focused project.
This is a setting, like the measured context of the Band’s early work, that perfectly suits – even as it amplifies – Levon Helm’s voice.
The Band appeared to be turning toward a kind of modernity that might clear the way for new explorations. But night was, indeed, falling.
Seemingly an offbeat choice for an All-Starr Band tour, “Raining in My Heart” had already become a signature part of Rick Danko’s solo shows.
After a series of solo records that tended toward blues- and R&B-soaked fun, Levon Helm’s ‘Dirt Farmer’ goes deeper, experiences more.
These are the first hints at darker revelations to come from Bob Dylan on ‘Blood on the Tracks.’ But, because of the Band’s presence, far different.
Richard Manuel shows one final time why Rick Danko and Levon Helm always saw him as the Band’s true frontman.