Post Tagged with: "2010s"

Mike Stern – Trip (2017)

Mike Stern – Trip (2017)

‘Trip’ is not Mike Stern’s ‘return to form’ but rather, a reaffirmation of form. And for that, we can be grateful.

Satoko Fujii w/ Wadada Leo Smith, Natsuki Tamura, Ikue Mori – Aspiration (2017)

Satoko Fujii w/ Wadada Leo Smith, Natsuki Tamura, Ikue Mori – Aspiration (2017)

Four masterfully intuitive musicians who regularly aspire for greater heights with each venture reach the summit together on Satoko Fujii’s ‘Aspiration.’

Jonny Lang – Signs (2017)

Jonny Lang – Signs (2017)

Older, wiser and brimming with confidence, Jonny Lang makes his strongest case yet for his early fans who fell in love with that high school phenom to come running back to him. In 2017, ‘Signs’ fulfills the promise of 1997.

Dave Stryker – Strykin’ Ahead (2017)

Dave Stryker – Strykin’ Ahead (2017)

Guitar whiz Dave Stryker gets back to meat ‘n’ potatoes soul-jazz with ‘Strykin’ Ahead.’

Mike Reed – Flesh & Bone (2017)

Mike Reed – Flesh & Bone (2017)

It’s probably a little too hyperbolic to call Mke Reed’s ‘Flesh & Bone’ the most important release of the year. At the same time, it’s impossible to overstate the importance of its message at this critical time.

Brad Cheeseman – The Tide Turns (2017)

Brad Cheeseman – The Tide Turns (2017)

Proving again that contemporary jazz doesn’t necessarily equate to smooth jazz, Brad Cheeseman Group’s ‘The Tide Turns’ is another solid set of tracks from Cheeseman where real work is put in from conception to execution.

Vijay Iyer Sextet – Far From Over (2017)

Vijay Iyer Sextet – Far From Over (2017)

By not limiting himself within a narrow concept and exploiting a multiple of possibilities presented by the larger sextet, Vijay Iyer’s variety of tactics benefit ‘Far From Over,’ making this an insightful window into his wide-ranging capabilities.

Sam Boshnack Quintet – Nellie Bly Project (2017)

Sam Boshnack Quintet – Nellie Bly Project (2017)

Just as Nellie Bly was able to show what a woman is capable of when gender barriers are confronted or outright ignored, Sam Boshnack is an example of a growing number of women leading a resurgence of creativity in jazz.

Walt Weiskopf – Fountain Of Youth (2017)

Walt Weiskopf – Fountain Of Youth (2017)

‘Fountain Of Youth’ has the energy and enthusiasm of someone striving to make his mark, but with the discernment of the accomplished veteran that Weiskopf is.

Crown Larks – Population (2017)

Crown Larks – Population (2017)

Often compared to psychedelic post-rock outfits like Broadcast and Oneida, Chicago’s own Crown Larks can be thought of as jazz’s answer to Ghost of a Saber Tooth Tiger, or indie rock’s answer to Ornette Coleman’s Prime Time, depending on

Close