We were sitting about 70 feet away and the amount of sound coming from that man’s horn … unamplified … was kind of scary. I don’t know how he does it.
Post Tagged with: "2000s"
The idea of the human spirit is one of those charged concepts, with it meaning different things to different people.
I kind of love everything about this track. The fact that the guy’s got this one bit of redemption to hang his hat on
The usual deal here is that I find and write about some music that can push people over the edge or even better, make them advance the argument that it’s not really music at all.
At first listen, this sounded like the Devils & Dust odd man out. The chorus is definitely something of an outlier with its sing-song, uplifting notes. I suppose you could say that the underlying story is uplifting as well, certainly when compared with the rest of the album.
Let’s talk about the Pono. You’ve never heard of it? Well, you’re not alone, though if audio (and its quality) really aren’t your thing, then you really can’t be blamed.
You know, forget the “controversy.” Sure, Starbucks didn’t want to carry Devils and Dust because of this song’s “explicit” lyrics. Well, good for them. I don’t buy their stuff anyway. I tell you though, sometimes it feels like this country will never grow up.
<<< BACKWARD (“God’s Eye View”) ||| ONWARD (“Slinky Thing”) >>> *** STEELY DAN SUNDAY INDEX *** Is it fantasy, twisted reality or just plan good story telling? Whatever it is, Walter Becker’s second solo album goes out on a strong note.
My introduction to guitarist/raconteur/wise ass Eugene Chadbourne came out of a short stack of records borrowed from a co-worker. This would have been back in the early 90s. There were things like Dinosaur Jr., Sebadoh, and Henry Kaiser in that pile.
The story is that Bruce wrote “All The Way Home” for his friend Southside Johnny, who released it on his Better Days album in 1991. Many years later, a Springsteen version shows up on Devils & Dust.