by Tom Johnson I suppose the most effective argument I could make to indicate that this album got under my skin is that during the fourth track, titled “Onions Wrapped in Rubber,” I was imagining scenes from the 1986 sci-fi thriller Aliens.
Post Tagged with: "1990s"
Chris Connelly, coming off key contributions to a pair of recordings by Al Jourgensen’s Ministry, neatly sidestepped the dreaded “industrial” tag here with simple musicianship (not to mention a dead-on Bowie vocal turn). Still can’t be sure how he made time for Phenobarb Bambalam, considering he was also touring and writing as a member of Pigface, Murder Inc. and Revco.Read More
Los Lobos guitarist/accordian player and all around musical polyglot David Hidalgo got together with vocalist Mike Halby (Canned Heat, John Mayall’s Bluesbreakers) to create this fantastic chunk ‘o blues.
by Derrick Lord I’ll never forget my first night at a “real bar” when I turned legal. There used to be this place called Daddy Rawshucks Oyster Bar, which was the typical cool joint so common then and so rare now. No corporate logo needed. I was legal anyway but my brother was not. No problem there: I bought, weRead More
Confession time: I still have a place in my heart for Miles Davis‘ oft-reviled last album Doo-Bop. Sure, taken as a hip hop album, it didn’t set any new standards. But taken as a jazz album looking to the future, it held lasting importance as the precursor to hybrid albums by Guru and Us3, hits that included (for the firstRead More
Author Jonathan Franzen (The Corrections, Freedom) was feeling sort of burned out and overexposed after spending several months book touring, with his personal history a constant subject. His solution was to travel to a remote island
by Tom Johnson David Torn’s Tripping Over God is an album that has defied description since the day I bought it in 1995. With only a vague knowledge of the man as a member of David Sylvian’s band for the Secrets Of The Beehive album
“The Soul Cages,” a Sting album about boyhood grief, remains this strangely powerful if demanding narrative, one with textured song structures and densely emotional themes. Its triumph comes right away, though, on the opener “Island of Souls” — a compellingly dark, perfectly conceived tale of a riveter’s son whose dream of the open sea only grows more intense when heRead More
Some people just have a gift for the odd twist of phrase that makes a song mean so much more than just a bunch of words or even just a mood. Bruce Cockburn, the Canadian sorta-Christian singer/songwriter is one such guy
by Nick DeRiso Maceo Parker — leader of the ferocious JB Horns, James Brown‘s band and musical backbone back in the day — once put it all in perspective, introducing a song from the stage: “We like to play two percent jazz … and 98 percent funky stuff.”