by Tom Johnson I think Tin Machine was unfairly dismissed. Consisting of two studio albums and this live disc, and featuring David Bowie and guitar-genius Reeves Gabrels
Post Tagged with: "1990s"
by Tom Johnson My first real exposure to jazz was either John Coltrane’s Sun Ship or this. Time has erased the gap between the two, but it matters little. Either way, I was in way over my head. I bought both in quick succession, but found Sun Ship simply way too much and traded it in shortly. Somehow, I heldRead More
by Derrick Lord Occasionally jazz and blues fans need to be reminded that we don’t have to limit ourselves strictly to musical recordings. Keep in mind there is plenty of great artwork available that would be a nice addition to any collection or music room.
by Tom Johnson Fans and critics alike pretty much ripped Genesis‘ final album Calling All Stations to shreds when it came out, as it seemed to please no one in particular.
by Mark Saleski I already owned 1991’s Great Big Boy, and it’s a fine one. The album was allowed to go out of print for the usual reasons (which I won’t waste our time on), only to reappear in a likeably presented two-fer in 2007 with Peculiaroso from 1994, which I’d never heard. If you don’t own any Leo Kottke,Read More
by Tom Johnson “Mailman” is singer David Yow’s tale of a woman being stalked by some creepy bastard who likes to send her little love notes through the mail.
by Tom Johnson Just because King Crimson is one of my all-time favorites doesn’t mean that I have to trot out the old standard In the Court of the Crimson King. I don’t particularly care for it, regardless of its standing as a prog-classic. The one that I return to, time and time again, is 1995’s Thrak. Not because itRead More
by Tom Johnson I suppose the most effective argument I could make to indicate that this album got under my skin is that during the fourth track, titled “Onions Wrapped in Rubber,” I was imagining scenes from the 1986 sci-fi thriller Aliens.
Chris Connelly, coming off key contributions to a pair of recordings by Al Jourgensen’s Ministry, neatly sidestepped the dreaded “industrial” tag here with simple musicianship (not to mention a dead-on Bowie vocal turn). Still can’t be sure how he made time for Phenobarb Bambalam, considering he was also touring and writing as a member of Pigface, Murder Inc. and Revco.Read More
Los Lobos guitarist/accordian player and all around musical polyglot David Hidalgo got together with vocalist Mike Halby (Canned Heat, John Mayall’s Bluesbreakers) to create this fantastic chunk ‘o blues.