Culled from that brief turn-of-the-1990s moment when unplugged performances were all the rage, these acoustic radio performances from Jellyfish offer fresh perspective on the band’s stirring, if all-too-brief, two-album run.
Post Tagged with: "1990s"
I look back at what went on in the 1990s and it seems like a completely different world. An impossible world.
Why would Bruce close out a poignant album of dark and troubled times with a short, sweet, and cliché-ridden song?
Whatever side you come down on in the Great Fleetwood Mac Debates, surely it’s either with the initial rootsy Peter Green era or the platinum-kissed Buckingham-Nicks pop period. But what about the rest?
Here’s a powerful bit of storytelling, about the intersection of lives that have seen tragedy and, depending on the decisions they make, might see more.
Mitch Malloy has released a number of albums since his self-titled 1992 debut, even while fashioning a career as a mixer and mastering engineer with Taylor Swift, Kenny Loggins and others.
Woodstock native Jim Weider got to live out a musician’s dream, having been a fan of the Band at the turn of the 1970s before eventually joining Levon Helm, Rick Danko and Garth Hudson from 1985-99.
Ugly Kid Joe very likely doomed their career with the way they came on to the scene. First there was the name, a jab at second- or third-tier hair metal act Pretty Boy Floyd.
“It’s Good To Be King,” which somehow only crept up to No. 68 on the charts, doesn’t sound like any side Tom Petty had ever put out — and, at the same time, like all of them.
There are many descriptions of the album The Ghost of Tom Joad as being “bleak” and “tuneless,” which leads me to wonder how exactly is a person supposed to render situations of no hope in an artistic context.