Credit Uriah Heep as the co-inventors of hard rock, along with Black Sabbath, Deep Purple and Led Zeppelin. It doesn’t mean they couldn’t craft a crunchy little hit single, too.
Post Tagged with: "1970s"
< >> *** STEELY DAN SUNDAY INDEX *** The art of narration in a song, I would suppose, is one that’s hard to nail down so tight, because when it’s done so well, you remember it.
Freddie Mercury, talking about his band Queen, once compared them to the sweeping Hollywood auteur Cecil B. DeMille, and he wasn’t that far off. The group, which also included guitarist Brian May, bassist John Deacon and drummer Roger Taylor, was a heady mixture of heavy metal, prog, power pop, disco and show-tune bombast
On this special edition of Something Else! Reviews’ One Track Mind feature, we had the reins over to Tony Levin, bassist with Peter Gabriel and King Crimson.
Much of Springsteen’s early work was populated with large casts of characters and places, skillfully woven into the narrative. Heck, sometimes the people and places were the narrative.
< >> *** STEELY DAN SUNDAY INDEX *** With little apparent interest in pursuing non-ironic love songs, Steely Dan have often touched on themes of criminal activity (hell, I think most of The Royal Scam was about crime). They never pursued the topic with an approving tone, though.
The distractions when it comes to Heart (gender politics, obvious curtsies to Led Zeppelin, wall-to-wall 1980s power-ballads, etc.) are swept away
Recorded in the waning days of the 60’s, James Taylor’s second album became one of a handful of albums that defined the pop and rock landscape in the immediate wake of the Beatles’ breakup.
< >> I stepped out on the platform, the man gave me the news He said, “You must be joking son, where did you get those shoes?”
Greetings ends not with a happy postcard from the Jersey shore, but with the tough-as-nails “It’s Hard To be A Saint In The City.