Yes, “That, That Is” from ‘Keys to Ascension’ (1996): YESterdays
If this had been included on an album of all-new material, rather than on a hybrid studio/live Yes project, perhaps it would have garnered more recognition.
YESterdays
Yes, “Be the One” from ‘Keys to Ascension’ (1996): YESterdays
“Be the One” was a strong start to what should have been the opening song for a new Yes studio album.
Yes, “Endless Dream” from ‘Talk’ (1994): YESterdays
The final song on 1994’s ‘Talk’ became a ’90s-style progressive epic, creating a lasting legacy for the Trevor Rabin era of Yes.
Yes, “Where Will You Be” from ‘Talk’ (1994): YESterdays
As with the earlier “Walls,” “Where Will You Be” holds an unusual place in the Yes canon – but in a much more positive way.
Yes, “Walls” from ‘Talk’ (1994): YESterdays
“Walls” is easily the most commercial song on Yes’ 1994 album ‘Talk,’ but that doesn’t make it a stand-out track.
Yes, “State of Play” from Talk (1994): YESterdays
“State of Play” sounds as for away from the main sequence of Yes songs as they could get. That doesn’t mean it isn’t good.
Yes, “Real Love” from Talk (1994): YESterdays
Nine minutes of well-played but uninspired AOR, “Real Love” is not quite up to the standards set by Yes in their glory years.
Yes, “I Am Waiting” from Talk (1994): YESterdays
“I Am Waiting” isn’t a Yes epic of yesteryear, but there are enough prog elements to keep old fans engaged.
Yes, “The Calling” from Talk (1994): YESterdays
Yes begins 1994’s ‘Talk’ with a powerful tour-de-force that showcases some of the best aspects of this particular incarnation.
Yes, “Evensong / Take the Water to the Mountain” from Union (1991): YESterdays
Like the majority of the Jonathan Elias-produced tracks on Yes’ ‘Union,’ these tracks might have been great if different choices had been made.
