Lizz Wright’s ‘Freedom and Surrender’ is a stirring and eclectic mix of adult contemporary and jazz stylings which is not to be missed.
Radiating with bliss, Nino Bisignano’s “You Like Me” is proof in the pie that crooner pop will never die.
Given Solitaire Miles’ musical education, her Susie Blue persona may come as a surprise to some, but it is hardly a lark – and this proves it.
The jazzy “Take A Chance (Gotta Get Happy)” sways to the atmospheric cadence of Grace Marino’s affecting vocals and cool-cat instrumentation.
The previously unheard 11-song set list from Frank Sinatra’s 1971 retirement party provides the perfect foundation for HBO’s exhaustive new biopic.
Listen as Frank Sinatra sustains the words until you hear the cracks in his voice and, you become certain, his heart.
A highlight of ‘Ultimate Sinatra,’ everything is in place on Frank Sinatra’s Count Basie collaboration “Best is Yet to Come.” And then it surprises you.
Jose James’ new collection of classic Billie Holiday covers makes for a stellar, if somber, album. Yesterday I had the blues, indeed.
In February 1962, as Ernestine Anderson took the stage at a Seattle jazz club, the then-34 year old should have been consolidating her early successes.
A pre-release peek into “Life Lessons” showcases the incredible Grace Marino’s power and range in all of its ravishingly emotional splendor.