Tomas Doncker’s genre-bending sound has always been impossible to define, and the bluesy, politically charged ‘Mess We Made’ is no different.
Most people associate Glenn Frey with the peaceful, easy country-rock songs with the Eagles. But he also had a gift for R&B and vocal arranging.
S. Victor Aaron picks the best of 2015’s non-jazz albums, including Erykah Badu, Shememkia Copeland, the Blind Boys of Alabama’s Sam Butler and others.
Erykah Badu’s new mixtape ‘But You Caint Use My Phone’ may or may not be a placeholder until a ‘real’ album is ready, her relentless thirst to push the edge makes it no small deal regardless.
Not long after the Rascals split, ex-members Gene Cornish and Dino Danelli formed Bulldog – a short-lived, always-fun, seemingly always-on-the-run soul revue.
Ola Onabule has released eight albums in a career stretching more than two decades, yet there remains about him a sense of fierce independence.
Tad Robinson has made a filler-free quality soul-blues record that faithfully follows in the stellar tradition of Hill, Bland and Little Milton.
JJ Grey and Mofro started out as a very good band. ‘Georgia Warhorse,’ released on August 24, 2010, catapulted them to greatness.
‘Innervisions’ arrived on Aug. 3, 1973 amidst an almost-unfathomable run of important recordings from Stevie Wonder, but it may well be his best.
Live Aid, held on July 13, 1985, was more than a great cause for Hall and Oates. It was, as John Oates tells us, a chance to “come full circle.”