Florence + the Machine follows an introductory video of sweeping expectancy with something that provides a more detailed sense of what’s ahead.
UK-born New Yorker Chris J. Connolly has figured out on debut album ‘Flying Lessons’ that keeping it simple makes it great.
Here is a review of David Philips’ pretty, ethereal number “Angel” from his upcoming album ‘If I Had Wings.’
Emily White blends an expressive and earnest vocal quality with evocative and colorful lyrics.
Luke Reynolds joins us to talk about his deeply intriguing new album ‘After the Flood,’ and how it advances his well-respected career.
Graham Nash doesn’t dilute “Simple Man” with wish-fulfillment fantasies. There’s just this: a heart that longs for what’s been lost.
Lloyd Cole just released his best album in 30 years. We have Bob Dylan to thank.
One of Nick Drake’s most haunting songs, “Day is Done” is blessedly free of the overdone production that marred many of his early recordings.
James Taylor, even at 66, takes the stage with a voice as clear and recognizable as if you were playing one of his early albums.
Warm, tranquil, and making do with minimal fuss, Thirty Steps to Forward’s ‘The Bird And The Fool’ is immaculately alluring.