Graham Nash performed “Back Home,” a deeply emotional tribute to the Band’s Levon Helm, last night on Talks Music
A New Year’s Eve show by Levon Helm and his RCO All Stars so impressed a member of the audience that he eventually swiped several members to form the basis of the Blues Brothers.
Too often, Levon Helm is framed by his country-fried howl, but there was always more to his art — more to his voice, to his persona, to his life.
You’d think all of this knee-slapping banjo jazz, rip-snorting jug music and grease-popping soul would be emanating from somewhere in the kudzu-covered reaches of the Deep South — not Brooklyn.
It’s perhaps unsurprising that nobody recognizes Benmont Tench, for too long the faceless soul of Tom Petty’s Heartbreakers. After all, singers and guitar players are typically the focal points.
A difficult period for Los Lonely Boys finds the group emerging with new collaborators and a new sense of determination on their forthcoming release Revelation.
“Modern Blue” takes Rosanne Cash on a twilit journey across the world of passion before returning to a soft landing in the endlessly evocative American South.
A song of dimly lit, strange salvation, “Just Another Whistle Stop” is a gem worth digging up for those who rarely get past the Band’s first two albums.
‘I spent an hour holding his hand’: The Band’s Robbie Robertson on his emotional last meeting with Levon Helm
The Band’s Robbie Robertson was on this way to participate in Rock and Roll Hall of Fame ceremonies when he heard that his longtime former collaborator Levon Helm was near death.
For Daniel Lanois, producing an album can typically be about “the documenting of time, and what’s going on in people’s lives — emotionally and otherwise.” And with Bob Dylan, that time was typically after sundown.