Nickel Creek formed in 1989 when Sean Watkins was just 11 years old. By the time 2007 rolled around, the trio, which also includes Sara Watkins (fiddle, vocals) and Chris Thile (mandolin, vocals), took an “indefinite hiatus.” Despite the fact that this shocked many fans, it wasn’t that surprising. The band had already walked countless miles together. With an eternityRead More
For a brief moment, as the Band’s career officially got underway on 1968’s Music from Big Pink, Richard Manuel held the spotlight completely. “Tears of Rage” was enough to convince anyone of his anguished genius.
This is a love story, told from inside a heart — not meant for public consumption, in the broadest sense of the word. This isn’t How I Met Your Mother; it’s how I found a way to express something that maybe only I understand.
A long-awaited and much-anticipated musical collection has come to fruition in the form of Ooh La La: An Island Harvest from the late Ronnie Lane and his ironically named early-1970s group Slim Chance.
You might think you know Jonny Wickersham, if you’ve followed Social Distortion. Wickersham, better known as Jonny Two Bags, joined in 2000 after the passing of Dennis Danell
Only a free-form improvisational group like moe. could start out with the aim of a barn-recorded acoustic album and somehow end up working with a producer who made his name in hip hop-circles.
Emmylou Harris returns to a Gram Parsons song she first took on for 1979’s Grammy-winning Blue Kentucky Girl, only this time alongside the Seldom Scene as the DC-area bluegrass group makes its Smithsonian Folkways debut.
‘As long as it’s fun, then I’ll do it': The Pogues’ rogue frontman Shane MacGowan isn’t going anywhere
In a newly posted interview with George Stroumboulopoulos, Pogues frontman Shane MacGowan talks about surviving his famously debauched rock ‘n’ roll lifestyle and, yes, the state of his choppers.
Chasing down “Get Up Jake,” this dollop of hilarious country funk that outlines a crew’s failed attempts to rouse a boozy womanizing deckhand, is every bit as difficult as divining the concrete narrative on knotty fables like “The Weight.”
I can say without reservation that the Los Angeles-based Ozomatli puts on the best live show I’ve ever experienced. The term “show” doesn’t do the band’s live gigs justice since the audience can’t help but be caught up in the “Ozobeat.” There’s no passive involvement in an Ozomatli concert.