Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.
Walter Becker’s ’11 Tracks of Whack,’ released on Sept. 27, 1994, is both a neglected minor treasure and a delightfully peculiar album.
Herb Eimerman’s ‘ Five Dimensional Man’ boasts the supremely shaped pop rock sounds he’s lauded for, but explores new ground, as well.
‘In the Hot Seat,’ released on Sept. 27, 1994, is apparently the final LP by Emerson Lake and Palmer. Carl Palmer explains why he’s OK with that.
Released on Sept. 26, 1969, the Beatles’ ‘Abbey Road’ held many collaborative surprises. But I just couldn’t get over its Side One ending.
Aside from being a great song, the story of how the Wicked Fools’ “Beverly” dropped in my lap is simply unbelievable.
Tom Scholz had been mulling over the smash hit “Amanda,” which arrived this month in 1986 as part of Boston’s ‘Third Stage,’ for some six years.
During the late stages of the Beatles’ ‘White Album’ sessions, Paul McCartney made a controversial decision to enter the studio by himself.
Following the lead of bands like Pink Floyd, Yes and the Moody Blues, Jeremy offers a freewheeling collection that transcends his influences.
Ben Folds’ ‘Way to Normal,’ released in September 2008, found him recalling past glories, even as he became ever more potty mouthed.