If this advance track (and the PR verbiage) are any indication Karl Denson took his Tiny Universe in a profoundly rock direction for New Ammo.
Perhaps, in hindsight, Led Zeppelin had the right idea: When your linchpin drummer dies, simply call it quits. Not so, the Who.
My Alien Mojo is a good name for this EP and a fitting name for this band. The band hails from the Philippines and draws on a funky/spacey guitar sound which recalls American 1980s synth pop.
<<< BACKWARD (“What I Do”) ||| ONWARD (“The Great Pagoda of Funn”) >>> *** STEELY DAN SUNDAY INDEX *** Did Fagen hit his high water mark with track number four on Morph The Cat?
Imagine an amalgam of a psychedelic R.E.M. and the Grapes of Wrath, and you’ve got the Strange Flowers from Italy.
S. Victor Aaron’s Best of 2013 (Part 1 of 4, Non-Jazz): Harper/ Musselwhite, Robert Randoph, Steven Wilson
With so many major releases typically timed go on sale to take advantage of the holiday shopping season, you’d think that most of the choicest music of any given year are records issued during the September-November timeframe.
‘We let go of that a long time ago’: Fleetwood Mac welcomes unexpected talk of Christine McVie reunion
When Christine McVie started ruminating about a reunion with Fleetwood Mac, after making a rare appearance with her former band in London, fans weren’t the only ones shocked. So was Mick Fleetwood.
David Paich has been involved with his share of million-selling projects, from Michael Jackson’s Thriller to Boz Scaggs’ Silk Degrees to Toto’s IV. There’s a similar atmosphere surrounding Nathan East’s forthcoming first-ever solo studio effort
The highlights were many for Adam Lambert in 2013, from his on-going guest appearances on Glee to a hit single with Niles Rodgers and Avicii.
Craig Chaquico helped build the ’70s sound of Jefferson Starship, keyed on Marty Balin’s suave balladry, then joined Mickey Thomas in steering the group toward the pop charts. First, though, they rocked a little.