Never in a million years would anyone guess the lead singer of this gritty and gutsy single is Kenny Loggins. Sounding like a remarkable cross-pollination of the Standells, the Pretty Things and the Shadows of Knight
Who isn’t familiar with the iconic image of Jethro Tull’s frontman standing on one leg, playing the flute? Ian Anderson shares the unusual beginnings of that signature move.
Like most fans, we were hoping the Rolling Stones would pull out some deep cuts as they convened to celebrate five decades of debauched rock. What we got, however, was “Emotional Rescue”
Early musical collaborator Glen Silverthorn remembers the moment Rick Danko began his journey toward membership in the Band, though his friend eventually had to make the switch from guitar to bass.
As Pattie Boyd talks about old photos of George Harrison and Eric Clapton, she remains — perhaps appropriately, given that she was the inspiration for Clapton’s love-lorn “Layla” — unable to decide which had been more inspirational.
‘I imagine they’re chaffed and miffed': Despite loving tribute, Steve Hackett still hasn’t spoken to Genesis bandmates
Steve Hackett’s celebrated return to his time with Genesis, both on a hit album and tour, has brought him closer than ever to classic prog-rock songs from the 1970s — but not to his old bandmates.
This is a first-time CD reissue in any form of Sam The Sham’s fine 1971 solo album, originally released on Atlantic Records and produced by the legendary Tom Dowd at Criteria Studios in Miami
In 1995, she was trudging herself across a desert and screaming out an angst-ridden tune that was possibly about the dude from “Full House.” My teenaged-self went into overdrive at this Alanis Morissette
Coming to be in 1979 and known as the Flirts, this Houston, Texas-based band gained a rabid local following with their bang-up breed of rocking guitar pop.
<<< BACKWARD (“Babylon Sisters (Live)”) ||| ONWARD (“Bodhisattva (Live)”) >>> *** STEELY DAN SUNDAY INDEX *** One of the better cuts on The Royal Scam — and the lesser cuts on that album are pretty good — this stage version gets the bank of horns handling that signature four chord interruption and other punctuations