The long-awaited remix of Rush’s 2002 return to action Vapor Trails is coming October 1. Rush fans have been waiting for ages for this news
A key line from this Richard Manuel song, “one voice for all,” says everything about the way the Band constructed Music from Big Pink, and what made them so utterly unique in their own time.
Springing forth from Portland, Oregon, the Kingsmen dashed to the No. 2 spot on the national charts late in 1963 with a tune that was totally different than anything else going on at the time.
‘We’ll just have to work around that': Jon Davison’s tenure in Yes complicates things for Glass Hammer
As Yes enters the final weeks of a U.S. tour featuring a trio of its 1970s recordings, the question of where that leaves frontman Jon Davison’s other group Glass Hammer looms large.
‘I’m happier with the people I’m working with': Jethro Tull’s Martin Barre set to release rare solo effort
Jethro Tull’s Martin Barre will release his first album in a decade, and his first since Ian Anderson decided to produce a sequel to the band’s classic Thick as a Brick as a solo project.
A solo effort in the most complete sense of the word — John Frusciante plays all of the instruments, and even designed the cover art for Outsides — this EP also reflects a singular creative genesis.
Gene Simmons speaks emotionally about the passing of Eric Carr, and Kiss’ last-ditch effort to include him in a video — an appearance that would ultimately be the cancer-stricken drummer’s last.
In a strange happenstance, one of the Rolling Stones’ most identifiable 1990s songs barely scraped the bottom of the Billboard 100. In fact, the brooding, harp-driven “Love is Strong” got stuck at the very unglamorous No. 91 spot.
Steve Lukather on what the Porcaros have meant to Toto: ‘That’s the hard part, watching brothers go down’
Steve Lukather talks about the crushing loss of Jeff and Mike Porcaro as band mates in Toto, saying the returning presence of their brother Steve Porcaro eases the pain.
Glyn Johns, who engineered Led Zeppelin’s 1969 self-titled debut, basically stumbled upon a new way of recording drummer John Bonham — creating the dynamic stereo cadences that drive tracks like “Communication Breakdown.”