It’s a good time to be a fan of Boston, with the recent release of unheard music from late original frontman Brad Delp and now the promised release of a long-awaited studio recording from Tom Scholz and Co. — more than a decade after its last one.
Optic Yellow Felt takes the rangy concepts of folk and jazz and sparks it up with the complex emotional underpinnings of classic turn-of-the-1970s rock on this deeply involving — and yet utterly listenable — self-titled debut.
Gregg Rolie begins with a simmering piano signature, then slowly settles into a greasy groove — setting the stage for some of his first new music since a 2011 solo EP. Before that, Rolie last issued a full-band studio effort in 2001, with Roots.
‘It was great, great fun’: Ex-Genesis guitarist Steve Hackett optimistic about another album with Yes’ Chris Squire
Nearly a year after releasing a celebrated collaboration with fellow prog legend Chris Squire of Yes, Steve Hackett says another album could be in the offing. The former Genesis guitarist says it just a matter of scheduling.
Slotted high on lists as one of the greatest debut albums of all time, Buffalo Springfield introduced the public to a revolutionary new sound.
‘You can’t take it from me’: Peter Criss tears into Kiss for allowing new members to wear old makeup
Peter Criss, who helped Kiss to its highest-ever charting single, continues to excoriate his former band for continuing with new members performing in the classic makeup that he and fellow founding member Ace Frehley originally wore.
‘We were very lucky to have them’: Justin Hayward discusses the Beatles’ influence on the Moody Blues
The Moody Blues have been inextricably linked to the Beatles since the 1960s — and not just because Denny Laine eventually became a cornerstone of Paul McCartney’s solo band Wings. For Justin Hayward, “Love Me Do” was a big-bang moment.
<<< BACKWARD (“Fall Of ’92″) ||| ONWARD (“Medical Science”) >>> *** STEELY DAN SUNDAY INDEX *** With vicious and vulgar prose, it’s easy to figure out why “Fall of ’92″ failed to get included on 11 Tracks of Whack. I’m not really sure what barred “Lies I Can Believe” from making it onto the disc.
‘How great is that?’: Brian May thrilled over possible interactive project with Black Sabbath’s Tony Iommi
When Queen’s Brian May stopped by to visit the ailing Tony Iommi, not long after Black Sabbath’s guitarist was diagnosed with cancer, he discovered a treasure trove of unused riffs laying around. That started a brainstorming session
I think there’s something innate in music fans that drives them to want to make lists. And then, of course, to argue about those lists to the death. You don’t have to look any farther than the conversation on some of the Gimme Five entries here