The only downside on Chicago’s “Sing a Mean Tune Kid” is its abrupt ending. But I guess I shouldn’t be too greedy.
“To Be Over,” the closing track on ‘Relayer,’ demonstrates the creative high that Yes was on in 1974.
I didn’t want to go with a knee-jerk reaction to Metallica’s “Hardwired.” I wanted to give it a chance to grow on me. It hasn’t yet.
A rebuilt lineup of Kansas recalls their past, even as they show tremendous growth, on an advance track from the band’s first new album in 16 years.
Heart’s new album Beautiful Broken demonstrates that some artists get better with age.
Performance enhancers became an early story line in the 2016 Rio Olympics. But which drug-related rock song provides the best soundtrack?
This is the closest Yes gets to sounding like the jazz-fusion of Mahavishnu Orchestra, rather than simply the world’s greatest progressive rock band.
By accident or design, ‘The Eyes of Alice Cooper’ is as close as it comes to the classics from Alice Cooper’s glory days.
Chicago guitarist Terry Kath’s solo on “25 or 6 to 4” has always been one of my most memorable musical moments. Here’s why.
“I Want You (She’s So Heavy)” is both the last time all four Beatles were in the studio, and their last breakthrough.