“The Fish (Schindleria Praematurus),” from Yes’ 1971 album Fragile, is a fitting contribution from the late, great Chris Squire.
“Long Distance Runaround” is stuffed with progressive elements from Jon Anderson, producer Eddy Offord and Yes, only adding to its stature in the canon.
Daevid Allen’s final recording is as he’s always sounded: like he’s still frolicking in 1970 trying to imagine what music might be like in 2020 if we had lost our minds along the way,
Bill Bruford frequently calls this Yes song, originally titled “Suddenly It’s Wednesday,” a starting point of his journey as a composer.
An amazing piece of music, “South Side of the Sky” is a platform for the best of Yes’ compositional, playing and arranging talents.
The upshot of ‘4 ½’ is that Steven Wilson’s chaff still beats most of contemporaries’ wheat because his creative zeal doesn’t ever seem to take days off, even for songs he sets aside.
Not as perfect as ‘In Rock’ and not as successful as ‘Machine Head,’ Deep Purple’s ‘Who Do We Think We Are?’ is often forgotten – but it shouldn’t be.
Preston Frazier’s Non-Jazz Best of 2015 list also includes Shemekia Copeland, Grupo Fantasma, Luke Reynolds, Public Service Broadcasting, the Westies and others.
Clocking in just over a minute and a half, Yes’ “We Have Heaven’ is essentially a Jon Anderson chant revolving around two themes.
Yes’ ‘Fragile’ is undoubtedly a great album, but “Cans and Brahms” reminds us that it could have been even greater with a Rick Wakeman original.