There won’t be more ‘Endless River’-style explorations of additional unheard Pink Floyd songs for future albums. Nick Mason explains why.
Tony Kaye was on the way back from a Yes performance at Basingstoke in 1970, when the band was involved in a horrific crash.
Deep Purple’s comings and goings have long provided gossip fodder, but Ian Gillan says there’s often been a very simple explanation for all of it.
Released this week in 1971, ‘The Yes Album’ was their big-bang moment, a project where the full scope of Yes’ genius began to take shape.
Preston Frazier’s new Yes series starts with their debut album’s opening cut — and, already, they are hinting at great things to come.
Greg Lake looks back on King Crimson’s classic debut, which rose to the band’s highest-ever album chart position today in 1970.
In honor of his 65th birthday today, we returned with Steve Hackett to Genesis, his ever-inventive solo career and the one-off supergroup GTR.
Released on February 9, 1981, ‘Face Value’ is a time capsule of everything that made Phil Collins into Phil Collins, and maybe the best thing he ever did.
Nick Mason doesn’t pick one of Pink Floyd’s better-known radio favorites, like “Another Brick in the Wall,” “Money” or “Wish You Were Here.”
Steven Wilson’s “Perfect Life” is as gorgeous as it is enigmatic, and an involving reminder of the larger things at play on the upcoming ‘Hand. Cannot. Erase.’