An amazing piece of music, “South Side of the Sky” is a platform for the best of Yes’ compositional, playing and arranging talents.
The upshot of ‘4 ½’ is that Steven Wilson’s chaff still beats most of contemporaries’ wheat because his creative zeal doesn’t ever seem to take days off, even for songs he sets aside.
Not as perfect as ‘In Rock’ and not as successful as ‘Machine Head,’ Deep Purple’s ‘Who Do We Think We Are?’ is often forgotten – but it shouldn’t be.
Preston Frazier’s Non-Jazz Best of 2015 list also includes Shemekia Copeland, Grupo Fantasma, Luke Reynolds, Public Service Broadcasting, the Westies and others.
Clocking in just over a minute and a half, Yes’ “We Have Heaven’ is essentially a Jon Anderson chant revolving around two themes.
Yes’ ‘Fragile’ is undoubtedly a great album, but “Cans and Brahms” reminds us that it could have been even greater with a Rick Wakeman original.
“Roundabout” gave Yes’ reworked lineup an opportunity to shine, as the newly installed Rick Wakeman makes a lasting impression.
Joni Mitchell, Yes, Mr. Mister, Kevin Gilbert and David Baerwald find a home on Preston Frazier’s Best of 2015 list for reissues and box sets.
Yes’ “Perpetual Change” is a wonder of polyrhythms, poetic lyrics, tight harmonies, elegant keys and sometimes melodic, always innovative guitar.
The perfect pairing of Eraldo Bernocchi with Colin Edwin makes ‘Doctoring The Dead’ well worth this second helping of Metallic Taste of Blood.