Now that Adrian Belew has returned from an extensive tour with the Crimson ProjeKCt, he’s focusing again on his inventive on-going solo project Flux.
Time for another legendary Budokan show? Following in the footsteps of Bob Dylan, Cheap Trick and, actually, the Ian Gillan Band, Deep Purple filmed and recorded its April 12, 2014 show in Tokyo for future release.
Roger Waters, long-time Pink Floyd engineer James Guthrie to oversee remix of 1992′s Amused to Death
Roger Waters returns to his greatest solo triumph, 1992′s Amused to Death, for new stereo and 5.1 remixes with James Guthrie, the long-time Pink Floyd engineer. The forthcoming reissue, issued via Columbia-Legacy, will also include new content and graphics.
‘It definitely isn’t everyone’s cup of tea’: Chris Squire on the album Yes won’t be returning to in concert
Yes has, more recently, been presenting 1970s-era albums in their entirety on tour, including Close to the Edge and Fragile. There’s one, however, that apparently isn’t up for consideration.
Draped with a David Gilmour-like diaphanous reverie — fitting, considering the band leader’s connection back to Pink Floyd — “Fragile” illustrates once again how the ever-malleable, at times almost faceless Alan Parsons Project continues through loss.
When all of the talk about concepts and recurring characters is done, an album like Ian Anderson’s forthcoming Gerald Bostock-themed Homo Erraticus must still have the musical goods — must still hold up on its own. The frenzied, very modern creativity surrounding “Enter the Uninvited” signals that it will.
‘I thought we’d recorded over it’: Nick Mason on Pink Floyd’s long lost collaboration with Stephane Grappelli
A rare alternate take on the title track from Pink Floyd’s Wish You Were Here featuring violinist Stephane Grappelli, previously thought to be gone forever, finally appeared on an Immersion reissue of the 1975 album — and Nick Mason still can’t get over the fact that this version wasn’t used instead.
As Deep Purple gathers to pay tribute to Jon Lord tonight, guitarist Steve Morse remembers the band’s co-founding keyboardist as someone he “connected with intensely,” and from the first. In the end, Morse remains “one of Jon’s biggest fans.”
A heart-wrenching tale of the search for redemption, with a calescent riff to match, John Wesley’s “Mary Will” is for everyone who ever worried they’d never overcome the mistakes of the past.
Steve Howe, some 10 years after Jon Anderson’s departure, is clearly getting a little peeved about having to talk about Yes’ departed co-founding frontman. Even more so when there is a new Yes album on the way.