Why ‘Endless Wire’ Should Have Been the Who’s Final Farewell
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
Released 15 years ago this week, the Who’s ‘Endless Wire’ spent some well-deserved time as a more fitting finish than the somewhat-sour ‘It’s Hard.’
‘Trance-Fusion’ arrived 15 years ago today, offering no traditional structures, no choruses, and few repeated elements. It was classic Frank Zappa.
Released 10 years ago today, ‘Bad As Me’ delivered a set of short but focused songs that spanned a wide range of Tom Waits-isms, both old and new.
This compilation arrived 10 years ago today with few surprises for diehard Judas Priest fans. The intriguing part was who chose which song – and why.
A key track from Savatage’s ‘Streets: A Rock Opera,’ released 30 years ago this week, made all the difference in the world for one troubled fan.
Released 10 years ago this week, Julian Lennon’s ‘Everything Changes’ emerged as the most assured release yet from an underrated pop melodist.
For those who bought a copy 30 years ago this month, and there weren’t many, Talk Talk’s ‘Laughing Stock’ led the way into an as-yet-unformed genre. You’re welcome, Radiohead.
Released 10 years ago today, ‘Laughing Down Crying’ found Daryl Hall rediscovering his pop muse, all on his own.
A fantastic album from top to bottom, ‘One Bar Left’ continually spotlights Arthur Alexander’s allegiance to authentic rock ‘n’ roll.
Fans often overlook Joni Mitchell’s Geffen-era albums. Too bad, as this one is another jewel in her musical crown.