Experimental French quartet Louis Minus XVI’s ‘Kindergarten’ is easier to like because it’s harder to pin down.
‘The Pale Emperor,’ more than any from Marilyn Manson in the intervening years, seems like the natural successor to ‘Mechanical Animals.’
Kiss’ ‘Sonic Boom,’ released on Oct. 6, 2009, was packed with hooks, anthemic choruses, and a lifetime supply of innuendo. What’s not to like?
A key track from Savatage’s Streets: A Rock Opera, released on Oct. 4, 1991, made all the difference in the world for one troubled fan.
Does ‘Repentless’ match Slayer’s classics? Not really. But it’s probably the best complete album they’ve done in decades and, for me, that’ll do.
Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.
Aside from being a great song, the story of how the Wicked Fools’ “Beverly” dropped in my lap is simply unbelievable.
‘Book of Souls’ is a good by comparison to recent Iron Maiden efforts, but within the context of their entire catalog, it’s mediocre at best.
Much like Christopher Bowes’ other band Alestorm, Gloryhammer doesn’t take its themes too seriously. The music, however, is another matter.
Motley Crue’s ‘Theatre of Pain’ doesn’t equal the power of ‘Shout at the Devil’ or the sleazy fun of ‘Dr. Feelgood,’ but it’s worth another listen.