Form And Mess thrives on the extreme limits of rock and jazz.
Though a bit too long, this builds on Slash’s ‘Apocalyptic Love’ successes.
As we all know, the Devil gets the best tunes — and scripts.
Gillan has worked on behalf of the country since a devastating 1988 earthquake.
I bristle when folks dismiss everything from this era as garbage.
Even without Hammett, this would have been solid, if unspectacular.
Edgy and raw, as bracing as any live Queen performance ever released.
Eric Singer also notes that the current lineup has lasted longer than any other.
A wake-up call to anyone who thought free jazz was a dying art.
They had me at “Redneck Dragonslayer.”